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The One Movie Harrison Ford Openly Regrets Making — And Why He Still Refuses to Speak Its Name

“I simply found it ugly,” Ford admitted of the film that left a scar on his résumé.

Harrison Ford has carved out a place in Hollywood history unlike any other. From Han Solo’s cocky charm in Star Wars to Indiana Jones’s whip-cracking bravado and Rick Deckard’s weary grit in Blade Runner, he has given audiences some of cinema’s most enduring heroes. Yet even icons stumble — and Ford has one movie that he refuses to celebrate, let alone name.

“I Simply Found It Ugly”

That film is Hollywood Homicide (2003), a buddy-cop action comedy co-starring Josh Hartnett. Ford played a grizzled LAPD detective opposite Hartnett’s yoga-practicing rookie, a pairing meant to spark laughs and bring generational contrast to the genre. Instead, the film was widely panned, bombed at the box office, and quickly earned a reputation as one of the most forgettable entries in Ford’s career.

“I simply found it ugly,” Ford once confessed. “Not just the script or the shoot — the whole thing left a bad taste in my mouth.”

A Painful Publicity Tour

Those close to the production say Ford’s discomfort was visible even before the reviews rolled in. During the press tour, he reportedly dodged direct questions about the project, often steering interviews back to his past triumphs or future roles. At red carpets and promotional events, his lack of enthusiasm was palpable.

The actor, never one to sugarcoat, later admitted the problem wasn’t just failure at the box office. “It wasn’t just that it failed,” he explained. “It felt like it didn’t even need to exist.”

Shaping His Career Afterward

In the aftermath, Ford recalibrated. Rather than chasing comedies that didn’t fit his instincts, he leaned back into the kinds of parts that highlighted his natural gravitas and quiet intensity. He delivered stoic turns in Firewall (2006), revisited old legacies in Indiana Jones and the Kingdom of the Crystal Skull (2008), and took on more character-driven dramas like 42 (2013) and The Age of Adaline (2015).

In a way, the flop helped clarify his trajectory. While Ford has endured other commercial disappointments, none left as bitter a taste as Hollywood Homicide.

A Legacy Untouched

Fans still occasionally joke about the film — often as a trivia footnote in an otherwise towering career — but Ford remains resolute. “It’s not about being embarrassed,” he once said. “It’s about honesty. If something isn’t good, I’ll say it. And that one… it just wasn’t good.”

For a man who has played heroes that shaped entire generations, Ford’s biggest regret is a reminder that even legends aren’t immune to missteps. But unlike the movie he won’t name, his legacy is anything but forgettable.


Would you like me to expand this into a “career missteps” feature, comparing Ford’s regret with other A-listers’ infamous flops — like Brad Pitt’s Cool World or Sandra Bullock’s All About Steve — for a broader Hollywood perspective?