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The “Absurd” 2026 Hot Tub Ritual Jason Momoa Wants To Shield From Tabloids: “I washed away my bloody, pulverized flesh in boiling water!”

Behind the thunderous action sequences and brutal fight scenes that powered one of early 2026’s biggest cinematic spectacles, an unexpectedly hilarious and deeply human friendship quietly became the emotional backbone of the production. While audiences watched Jason Momoa and Dave Bautista viciously battle onscreen as estranged brothers Jonny and James Hale, the reality behind the cameras could not have been more different. According to both actors, the intense production forged one of the most physically exhausting — and strangely joyful — experiences of their careers.

Filming under director Ángel Manuel Soto demanded an extraordinary level of physical punishment. Large portions of the movie’s combat scenes were reportedly shot in freezing Hawaiian mud pits under punishing conditions that left both stars battered nightly. The choreography required relentless slamming, grappling, and high-impact stunt work designed to make the fictional sibling rivalry feel painfully authentic on screen.

For Momoa especially, the physical toll became immense. Known for throwing himself aggressively into stunt-heavy roles, he reportedly emerged from many filming days bruised, swollen, and completely exhausted. Bautista, whose wrestling background made him no stranger to physical punishment, admitted even he was stunned by the sheer intensity of the production schedule.

Yet the misery unexpectedly led to one of the funniest rituals either actor had ever developed on a film set.

Immediately after filming many of their brutal fight sequences, Momoa and Bautista would head directly for a steaming hot tub where they soaked for nearly thirty minutes every evening. The ritual quickly became sacred to both men. After spending hours violently attacking each other in front of cameras, they would sit shoulder-to-shoulder in boiling water, laughing about missed punches, aching muscles, and the absurdity of spending entire days pretending to destroy one another.

Momoa later joked that the scorching water felt like the only thing capable of reviving his “pulverized flesh” after the demanding stunt work. Beneath the exaggerated humor, however, was genuine appreciation for the emotional support they provided each other throughout filming. The recovery sessions became more than simple physical therapy — they evolved into a nightly decompression ritual built on trust and friendship.

Bautista reportedly described the experience as the most fun he had ever shared with another actor on a movie set. Despite both men possessing intimidating public images built around toughness and physical dominance, their off-screen dynamic revealed something much softer: mutual respect, emotional honesty, and relentless humor.

That chemistry ultimately elevated the film itself. Audiences connected deeply with the volatile relationship between the Hale brothers precisely because the emotional tension felt believable underneath the action. Their onscreen hatred carried unusual realism because genuine trust already existed beneath every carefully choreographed fight.

The friendship between Momoa and Bautista had reportedly been developing quietly for years before the project finally united them onscreen. Both actors share similar journeys — physically imposing men who spent years fighting against Hollywood stereotypes while proving their emotional range as performers. That shared understanding helped create an environment where vulnerability and humor could coexist alongside the brutal physical demands of filming.

Ironically, some of the film’s most savage fight scenes were born from laughter rather than aggression.

For Jason Momoa, the now-famous hot tub ritual became a symbol of survival during one of the most physically punishing shoots of his career. And for both actors, those nightly recovery sessions proved that sometimes the strongest brotherhoods are forged not during moments of comfort, but in the aching silence after battle.